Monday, April 27, 2020

So far to go through

Today's offering is a poem. I am honoured that Rémy Deck, a brilliant musician and composer, offered to score my recording of it. That is to be listened to first, if you please, and then you can find the transcript and an explanation below.


I am judging myself every day. Whatever I am, whoever she is, not enough, not right.

Compared to those who are scared to feed their families, am I a fool because I fear for all?

We are in a new hollow. Deep, yet, with not knowing.

I can barely type, my fingers heavy on the keys. And I cry with anger over the impossibilities that are being shouted in my country as certainties, regardless of the additional lives that could be lost.

Of course, it does not matter, now, who is doing the "better job" in this crisis for it is up to us, globally, to do the best job, as a community, whole.

So, me, and you, let us think to put our ego thinking aside...that continual train that says, "No."

It would seem as though while we cannot help but to listen blindly to our world leaders (some of whom are doing whole heartedly well while others are shouting out through the dark) we most certainly can listen to ourselves. Instinctively, we know.

What needs to be done. What is not being done nor taken under hand?

As this goes on, I cannot imagine that anyone but us will actually make the change for things to be better.

Can we do it?

In the midst of our every day, every night grief, can we pay respect to all whom we have lost in saying "Ca suffit." That's enough.

That's enough, now. That's enough.

(and yet we are so far from done)



A few weeks ago, Ruth Ribeaucourt sent me an article entitled, "That discomfort you are feeling is grief" . It was an incredibly helpful tool at a time when we were not yet speaking of universal grieving but it has come back to me today in acknowledgement that one of the primary steps in processing it is...anger.

I wrote this poem last night because I was so angry that I couldn't sleep. It is anger that has such amplitude that at times, I turn it in on myself. So without, so within. Anger that somehow, despite all conceiving, my home country has a dangerous president who did nothing, is doing nothing when his country is deep in crisis with nearly 50,000 deaths already reported with more to come. Who casually suggests disinfectant injections - which are most-likely lethal - as a possible cure for COVID 19. That a financial bailout is readily available for large corporations while people like my Sister struggle around the clock to keep her small business afloat. And what about the family featured in This New York Times article , who do not know how they are going to eat and whose daughter is vomiting because they can no longer afford her much needed medication? That there are people getting in line at 4am for food donations and will have to wait six hours to receive them?

How is this possible? How? In the so-called world's richest nation? We have to speak up. This has to stop. That's enough. We can do so much better than this.


I know that perhaps this might strike you as a rather dramatic post but this situation is dramatic. 
Do I stick to my belief that at the essence of all is our need to connect through love?
I do. But I still believe that our voices of disbelief and regret need to heard.

The other posts in this series can be found herehere and here.

With deep Gratitude from Provence,
Be well and stay safe,


Wednesday, April 22, 2020

The cage of vulnerability

So here we are. Right in the middle of it. Maybe. Because, honestly, none of us has a clue as to what is really going on or how long this pandemic will last. I am not a news bandit, never have been, but I listen to the wires of the world to try and hear what my fellow human beings are thinking...let alone, what decisions their governments are taking (sometimes on their own) for us.

One of the tiny but yet important things, belonging to the hum and thrum are these discussions. Amongst you, amongst me and all over the world.

It's both odd and not - everything is to me, actually, in this moment - but I mean specifically what we are saying to one another during this time.

Do you see it? Or am I alone? But I am having conversations that are achingly direct. Usually, we would warm up to this sort of opening, at best, over months.

And yet here we are.

Virtual friends that I have never seen in person, nor have heard their voices, have suddenly offered a shared agreement to be open, a sort of grace.

And that feels scary in itself beyond belief.

So here we are.

What is amazing, is that we are all so rock bottom dollar, that we have given up the game of (fortune and fame) to just admit, "No, I don't know what is next. And I am scared."

What a difference this is, you know?

Our collective, western society has been droning on for so long, "I got this." "I got this." It is the engine behind what we were taught to be.

And yet, of course, we have been thrown to the seas; monsters are knocking at the door...caving it in. Choose your metaphor.

What is beautiful...and yes, it is hard and unfair to talk about beauty within this ongoing breath of death...but. But...there are, and have been a lot of exchanges that are...beautiful. Tears shed and words broken like bread.

As we struggle on, day by day...we speak.

Some yell, but most speak. And often, in so doing, they rattle the cages of their vulnerability, whispering what they would never dare to otherwise.

These moments seem to be the building blocks of our future.

Or could be.

"I can't do this anymore." "I feel alone and I am tired of it." "I don't want my life to be some form of bullshit just because society says so." "I am not going back. I am not."

What I am hearing.

To say, listen. Listen. Listen, can you listen?

(We can be all of the things we did not think we were capable of.)

To ribbon up my two previous posts, a Leonard Cohen quote - one that I have cited here before but seems especially appropriate now: "There is a crack in everything. That's how the light gets in."


It's interesting. I wrote this nearly a week ago. And yet, the waves of emotion and thought are rolling through our cultures so quickly now that it almost seems out-dated. Not in terms of pertinence, but what it feels like our current state might be.

Remember, it serves no one and nothing to push your feelings down. You will only have to deal with them later. So take care of you.  Keep the door on the cage open, if you can.

Perhaps because it is Earth Day, I feel grounded in something that is both hopeful and yet has an angry fire behind it burning. One of urgency. For I am convinced that this pandemic is an outward mirroring of our destroying the planet. Somehow. 

And that it is not too late to change. 

Slowly, I want to take a deep breath and lift my eyes...up.

I am sending my deepest condolences to all that have lost loved ones and friends to COVID 19. 

With love from Provence,

Thursday, April 9, 2020

Faith and falling free

Those midnight days. As if there is a hole in the roof of our collective church, and the rain is falling down, down through the beams, drops falling free.

And yet, there is Beauty ever-present. Unrepentant. Partout. 

She can be garish in comparison, this thing called Spring. And yet how we need her.

We breathe, we "can't breathe", we check our breathing. Upon rising, or at every twinge or cough. Knowing that there are others who are asking elsewhere in great fear escalating. Silently, we say thank you.

It is like a litany, this gratitude. Beads on a rosary, for those of us who are relatively ok. Who do not have to call every hour to check on a loved one's status, who do not have to contend with a lost job, less food, bitter feuds or finances.

Or loss. That felted word, death. Not for me yet, not yet, so thank you.

I beg the tears to fall for release. It is part of the terrain of a too feeling heart and
yet they do not come. I am such in shock. A grieving for all and those who will never be again.

Joan Sutherland, a teacher of the Zen koan tradition recently wrote: "Grief is a form of love, how we go on loving in the absence of the beloved. It is the transformation of love through loss, and how we are initiated into a new world."

If this grief is like a chapel onto itself, stone upon stone and block by block, there must be a light somewhere in our beings, even when whispered as quietly as a prayer. Or so I believe. One gives birth to the other.

We are here, we remain, what will we be?

During the late afternoon's sweet golden hour, or the early morning (it is now 5:30 am), these are the questions that I ask myself. Blinking in the dark, or heart racing.

The response doesn't feel like Hope. Hope is calling something into being and it feels too soon for that yet.

No, but perhaps...I can have a spark of Faith. One not born from any religion. It feels like to refuse that feeling would be disrespectful to all who are fighting so hard in order to move through and beyond a reality that is brutal. Incomprehensible. We must stand by the side of those on the front lines. In a hospital or a home.

So I will hold that light gently. For myself, for my family and our broken but not fallen church of the world. Faith just is, it exists and that feels like freedom.

Despite my falling down (or sitting numbly still), that is an active choice that I can make so that it may grow and go where needed. It will.

I am grateful beyond words for all of the many, many messages, emails and comments on Instagram after my previous post. You are all such incredible people. This community is so strong. 

I believe in us. 

Sending Love,

PS. I am updating this post to include an article from the NY Times about our universal - and personal grieving during this time of the Corona virus. It is absolutely worth the read, most certainly if you catch yourself in a state of blame...wondering "Why do I feel this way? So much?"...This can help.

Tuesday, March 31, 2020

Dance me to the end of Love

Hello...I have the tiniest smile curving up my lips as I type. Call it a baby Mona Lisa.

Because I finally figured something out. It is so basic that it is of the hit yourself over the head with a frying pan until stars google out of your eyes kind of simple.

You see, for weeks now I have been wanting to reach out but as I would whine to my friends, "Oh, the words aren't coming. I don't know what to do. I can't find the words. " 

Well, if that isn't the biggest load of ego on a train track of malarkey that I have ever heard, I don't know what is. Of course I have the words.

I have exactly the words that I need. 

They are:

I miss you.

I love you.

Are you ok? 


Let's get back to that last question in a moment. For, some of you (I am not being insincere when I say "bless you") have come wondering. To check in or to ask about my how and where. I will most happily fill in the blanks a bit because if I would like to know about you, I am - hopefully - rightly assuming that you would like the same from me.

I don't often talk about the day to day basics of my life here on the blog. Not only do I like to keep a certain degree of privacy, but I was also simply ashamed to admit the details. I am, finally, just plain tired of comparing my present life to my past. I have worked hard to get where I am now. There is nothing to be ashamed in that, nothing.

I have two jobs, sometimes three. The bread and butter full-timer entails being a receptionist/concierge at a luxury hotel in Avignon. The property is, under mandate, closed until at least mid-May and we will see if I have that job to go back to when the time comes. The amazing news is that I am getting paid 84% of my salary until then - Vive la France! Additionally, this is my second year of teaching English at the University of Avignon. Can you believe that I am a professor? That too has been suspended but I will apparently now finish up the rest of my school year via Zoom, even if I am highly dubious of my ability to understand how to do so. And lastly, if you would be so kind as to look to the right, you will see that I give walks in Arles. We will leave that one alone as a dangling participle for now. ;) 

All of this means that I am in lock-down, alone, in my apartment in Avignon. I was quite ill a few weeks back but no one was willing to test me (this despite my explaining that I was in daily, close contact with tourists from China, Japan, Korea et al.) so despite my having EVERY single symptom, I don't know if I had COVID-19 or not. Gratefully, I am better now. 

Emotionally, it has been a web of a more complex weave...or of an on-rolling wave if you prefer. For the first two weeks I couldn't label that listless, numb feeling for exactly what it is - depression. Shock. Fear that is both excruciatingly specific or nameless, blind. The sleepless nights were/are not my old insomnia rearing its head, but due to anxiety. Now that I have accepted that to be true, I am actively using the tools that I know work. Yoga. Meditation. There are some days when I reach out to every person who might listen to say, "I need help. Are you there?" Or I turn the attention outwards, such as taking food to Cyril, a sweet homeless friend who is sleeping in a tent on a nearby overpass. His situation is so far worse than mine. The phrase "one day at a time" has become my mantra, whether exhaled gently or clutched invisibly between fists topped with tears.

Perhaps I am wrong, but it feels as though we are being stripped down to our essence...from the micro (our internal, personal existence) to the macro (our world, society). On my good days, I see an incredible amount of possibility in this. After the virus has run its course, after the deepest grieving, we can, perhaps, choose to begin again. I know that I am hardly alone in saying so and yet I wonder if it might take more courage than we realise to not run to our former anaesthetised comforts and ecologically expensive ease. Or. Maybe there will be no choice. No turning back. 

What I do know, and I know it completely, is that what remains once everything else has been stripped away is Love. I see it in how we are strengthening as a community, the new old ways of connecting. Amidst all of this pain and suffering, there are a million silent, unknown stories occurring that are filled, propelled by just that. The clapping for our health-care workers, the couples swaying on their balconies, the police serenades, artists supporting each other...the examples are all across our bruised map. So let's see them for where we are. Take me there. Dance me to the end of Love.

In a beautiful exchange with Brooklyn-based artist Camile O'Briant, she wrote, "How the world is/was set up did not take care of everyone and we can no longer do this. There will be some bumps ahead, but remember your own power to create and be a source of grace and good in the world." She concluded by encouraging me, herself, us all: "Let's be a light in this world." We can. 


Apparently, I had more words than I thought. But to return:

I miss you.

I love you.

How are you?

Tell me please.

It actually isn't a rhetorical question at all. 


The title of this post arrived on a sleepless night and I scribbled it on a post-it. It was only later that I realised that it was that of a wonderful Leonard Cohen song. My Mom mentioned this version today and I love it (although not as much as I love her) so here we go. This one is for you, Mom. 

Dream. And be well. 

With Love from Provence,


We keep going...

Saturday, October 12, 2019

Twenty past midnight and 45 minutes late

I didn't want to see it. That things between us were slipping down; that we were beginning to argue more frequently, although neither of us are fighters.

When it was simple, it was blissful. But when it wasn't, it was something like ugly, the French use the word "glauque." And little by little, the worst of those moments somehow seemed to loom large, like a big balloon figure in a parade, over the million moments of quiet happiness. Contentment came into question.

He had said some rather fantastical things in the beginning, ones to turn a girls head. I remember a so casually stated, "I would be happy to spend the rest of my days with you," that it was almost like he was he sipping his words inward with his breath, just as he was trying to dare them out.

I didn't, couldn't, make a big top tent of a thing about it then. Now, I wish I would have have tested what he had said with a prodding fork of contentious vulnerability to see if it was true. Or to see if it had been..only true in that particular moment. For I know that happens sometimes. How human we are, stumbling through. We blurt out. Some of what he said was not always so solid as to induce certainty. I have done the same.

Despite the brevity of our relationship, at eight months, not even the longevity of a birth, I was given some of the sweetest experiences with a man that I have ever encountered, and could not even have imagined possible.

When he swept me off to Rome...I do know that those were some of the happiest days of my life. Just filled with so many "oh's"...of turning a corner after midnight and discovering the Pantheon (while he whistled "La Vie en Rose"), or swooning over buttered sage ravioli at his local spot Urbana 47 or singing Adele in our bed despite the fact that I don't sing anymore, but I did for him. He orchestrated and offered it all, selflessly. And oh how we laughed, bells ringing, throughout.

Every day, every day, we laughed.

But what do you do when you are both a bit damaged by time to the point where establishing a real and mutual trust somehow does not slide into the easy quotidian? When the canyon of your languages and cultures yawns wide, despite the best intentions?

In our case, we truly tried to make it happen. He did so through gestures; frequently buying me simple but pitch-perfect gifts. Dresses that he had picked out on his own, guessing at the size. Tickets to plays and concerts, each delightful. He would arrive in Avignon with his suitcase full of such surprises along with his loving pup, Noumea at his side - an incredible balm after missing my dogs so much. Just as if it was nothing, this giving that I had never known.

I was forceful with my gratitude, I think, even though it was completely genuine. It was so new to me, such effusive generosity, that I wanted to be sure that it was practically burned into him. At times my "thank you's" or "I'm sorry's" when something didn't quite come up to snuff, annoyed him. I understand why. And yet I am calm in the warmth of the love that I offered, as well. Arms wrapped around. Love in a steadfast gaze, the corner of my lips upturned, yet biting down my delight.

Recently, I had began to ask the "Where are we going questions?" to see if we were capable of making something lasting. This despite a clear stance that I was no longer willing to abandon all to move to Paris unless it was for a strong plan. I had already done that once and so am weary. And also, yes, I am dearly attached to this Provence. How I have fought to stay here. He seemed to understand and had never made much of a fuss about the commute although his responses were vague, I see that now.

Verbally, he expressed himself less and less expansively - it would throw me every time that he would end our phone conversations with a laconic "Ciao" as if he were speaking to a colleague and not his girl. And yet, declarations of love were made. Late in; seven months in. That is how long it took him for a clear, unapologetic, "Je t'aime."

And throughout this time, nothing truly terrible happened, despite some rather dramatic disputes with hurt inflicted on both sides. There was no cheating on the other, no viciousness. We did our best to see each other every week and Christophe was great about largely paying for my train tickets as I could not. We enjoyed each other, from table to bed and the beeping camionette that he rented so that I could show him pieces of my Provence, including, finally, Arles.

So how do you explain it?

I dig for sustainable answers.

We drank quite a bit when we were together. There was something of the "Oh, hooray!" of celebration in the beginning when we were reunited, that fierce recognition, and then trying, or subtly forcing, to prolong that feeling later with occasionally problematic results. Prosecco as lighter fluid.

At one particular twenty past midnight, the Cinderella of our story vanished without a pumpkin coach. Stripped to the who of we are with nary a glass slipper in the alley left to make a fairytale.

But this is not everything.

There are so many deeply profound misunderstandings in our loves. It is not only roses that bloom. And for it all, well, finally...we can only do our best to hold them with forgiveness. There is no rancour. Only those haunting tsk-tsk whispers of regret. He still is the same exceptional man, this Christophe, who I kissed in return, deeply, on our first date at Le Train Bleu I found him to be so funny, intelligent, creative, handsome, interesting to the point of being a bit mysterious. All of this, even though he had been 45 minutes late.

Maybe we were 45 minutes late. Perpetually.

I will just leave you with something that my Mom said a while back (who, along with my Sister met him this past Spring and instantly appreciated him): "Heather, he can be the most wonderful man in the world...but that doesn't mean that he is the right man for you."

How I have cried. I can't think that he imagines how much. Or that he would occupy himself to do so. Maybe he has cried too, although I have a hard time imagining it, as well. Perhaps he is relieved? Just that...the not really knowing is proof of our not having stayed aligned. We were often unreadable to each other beyond the no uncertain terms of happiness. And certainly of that fuzzy word "fun," incorporated.

The older that I get, the more that I understand how incredibly important it is to have just that, empathy in all situations, communication. To imagine Cinderella (or any other icon you choose that applies) outside, alone, at twenty past midnight, stripped again of her parure, but also of her bright, bright hopes...deciding where from here she can possibly go again.

I will offer myself a hand up from the pavement, this sadness, and one to Christophe too, in Paris. If he needs it.

We lived a tiny lifetime together. Even if we were not on time for each other, it is still not too late to be on time for ourselves.

 With all gratitude,

Thursday, July 25, 2019

Sacré Train Bleu

"Look up," he said. I did and found myself staring at the glass and iron beams of the Gare de Lyon's emblematic roof. "No, too much!" I swivelled back to eye level. " the left," I exaggerated my movement, robot-style. "No...back to the right..." Stop. Zoom. "And again, up!" Ah, there Christophe was! Standing on the balcony in front of the entrance to Le Train Bleu. Waving, waving his arm in hello.

I should have known that was were he would be.

It is a special place. Perhaps for many, I would imagine, but for the moment, while I write, I am claiming it as "ours."

You see, we met at Le Train Bleu for our first date. His choice, nonchalantly offered, in order to put the voice to the face after phone calls that had lasted from midnight until morning. I took the train from Avignon. Nothing less than a Monument Historique would doCall it a Parisian version of fore-shadowing something truly special? Save that he was...45 minutes late. It had taken all of my will - plus not one but two glasses of champagne - to believe in him enough to stay, alone, trying to look relaxed, as though I belonged there, until the traffic cleared and he arrived. When he finally did, pushing the table aside to slip next to me on the banquette in order to give me not a peck but a real kiss...well, that. Was that.

We have gone a few times since and I am used to kicking my luggage through the wooden revolving door. It's then that I truly know that I am back in Paris to be with my man. I am no longer intimidated by the chignon-tight hostesses who have perfected the "and you would be?" stare down the tip of their delicately pointed noses. But ah, it was Lucie that day at the welcome desk and she is lovely. She smiles. Or she did, until she frowned.

Apparently, there was no room at the inn. All the tables were full. Her side-kick, the redheaded bellhop (with chin-strap hat to boot) asked us to be patient, that soon a table would be available for "such regulars" as ourselves. I don't remember if Chris and I shot each other a side glance or not. Probably. I could tell that he was more on the side of leaving, we had been bantering with these two long to buy a bit more time I showed Lucie my favourite photo from our previous visits - that of an elegantly poised Nouméa (Christophe's tip-top trained pup) sitting in the midst of the empty dining room in-between services. Lucie's smile returned and she excused herself quietly.

She came back with a discreet wave. "I have negotiated a table for you in the Algerian room. It had been rented out for a private event." She seemed quietly proud to show us to our spot of two grey leather club chairs tucked in a corner underneath a potted olive tree. The meeting of Provence and the North. "Do you know what you would like?" We did. One glass of Brut for monsieur and Rosé for Madame. "I know it is cliché for the woman to have the pink champagne," I offered, half-apologising. "I would have done the same," Lucie responded while whisking away the "reserved" sign from our table. She disappeared after a simple shrug.

Have you ever seen light that is so golden that it is somehow silver? It cuts through to diamond each surface that it touches. That was our light, embracing the room. The coupes arrived, we clinked with our usual toast. We had the shadows of olive branches tattooed across our foreheads like victory wreaths. We couldn't stop laughing, delighted to rediscover each other, finally, alone.

Something that I learned as a travel writer is that when accidental magic happens, you listen to the lesson it is whispering to you, you take it seriously. And so I proposed that we stay for a second glass. When the Maître d'Hôtel arrived, Christophe agreed, but on one condition.

"The glasses were not completely clean. I would prefer that they are." He pointed to the hard water spots on the base of each glass. He is Parisian, after all. And the Maître d'Hôtel agreed. It was inexcusable, certainly at this (best left unmentioned) price per coupe. And yet all of this was expressed with lightness, even when young Rémy was brought over to the table. "This is the young man responsible for this!" After being held in something like a wrestling lug of the neck, jokingly, Rémy bent over to examine the glasses in all earnestness and apologised. Several minutes of discussion followed as the pair started to clear the room of the furniture. It was a special evening as the room was being prepared for a new set that would be installed tomorrow. "Out with the old, in with new." Our second glasses arrived and on we sipped.

The banter between the four of us continued as they diligently emptied the space. Rémy is from Marseille, which immediately invited such teasing as "Oh, you are too lazy for Paris," which I slightly defended, living as I do in the South. At some point, Christophe demanded that I let my hair down as he wanted to take some photos and then minutes later I got up mid-discussion, without thinking, to help the struggling pair roll up a large Asian carpet from the parquet floors. Into the middle I stepped, my hair hanging over my eyes and we tightened our grips with each advancing step until it too was ready to be taken away. We joked as they lifted it over their backs and swerved between the customers in the hallways.

There is something about Paris when you somehow arrive inside the real of it...there is no explaining the non-mysterious mystery of how it seems to slide beyond time.

The olives eaten, Christophe positioned my suitcase à part and then sat on it to take a few more photos. He always does just what he likes, no matter where we are. Afterwards, as we gathered our belongings into the hallway to pay, Monsieur le Maître d'Hôtel arrived, rushing, with a bottle of each champagne raised in his hands. "No, you can not take the photos with empty glasses!" Chris seemed ready to protest. I readily settled back into our chairs. We savoured the "top off" and more photographs were dutifully taken. We had the entire room to ourselves.

Rémy popped back in. He and I chatted about his experiences overseas. I shared about now being an occasional professor of English and what a key speaking English is in the hospitality industry. That the whole world was open to him, not only that which is depicted in the famous murals of Le Train Bleu. As we finally readied to leave and Christophe paid (thank you, darling), Rémy offered to give me printed brochures in English and in French of the restaurant's history. "Oh! I can give one of my classes about the restaurant! That would be absolutely perfect!" I exclaimed (and ps. I will).

Rémy looked at me, paused and then asked, "Can you wait for a moment, please?" "Yes, of course," I replied, smiling, albeit a bit puzzled. We hadn't seen the time pass, Christophe and I. We rarely do. It was now nearing 9pm and the main dining room was full. We were back at the host stand, but Lucie was gone. I looked at the tables of so many well-meaning tourists, deep in their expectations, without a Parisian in sight. How different it all felt. I don't mean that disparagingly either. Different is just that, different. Paris is just that, Paris. We shifted weight from foot to foot, in our day clothes, as other champagne corks popped.

Some ten minutes passed and then Rémy's head suddenly surfaced at the far end of the room. He seemed to search for us questioningly, as if not sure that we would have waited. He looked slightly relieved that we were still there. I watched as he dodged and weaved through the waiters and clients to arrive towards us. He looked at me straight in the eye and put into my hands an elongated black box. "These will be clean," he said with a grin and then repeated it to make sure that I understood. "Ceux-si seront propres."

I can't remember now if I put my hand to his cheek, or kissed it, or both. My eyes were shining with joy. It is a moment that I hope to never forget. We said our goodbyes. Out Chris and I went, through the doors, to find ourselves on the balcony where our evening had begun. "What is it? He had said something about a book, is that what he gave you?" my lovely man asked. I said nothing. "We'll see at home," I offered.

And so we did, as we opened a (slightly less fancy bottle of Prosecco) to make a toast in our new, beautifully engraved glasses. "To us, à nous, to le sacré Train Bleu."

Le Train Bleu
Gare de Lyon
Paris 75012

Friday, June 21, 2019


I smiled at her right before she stole my phone. 

Her, the pick-pocket. Dyed blond and young. "She would be prettier," I had thought, "without such pronounced eyebrows." A la mode, those heavily-drawn features that have nothing to do with Liz Taylor, Ava Gardner. My heroines of glamour.

I had just posted on Instagram with a photo that I thought quite smart. In the subway, a poster that had originally been an ad for Chanel - oh, that iconic bottle - but with many layers of other advertisements scratched and torn above or below it. Nothing is simple in our modern times. How tired I felt, but I had seen something interesting and that always does me good. And besides, I was in the City of Light. With a twinge of worry I thought of Christophe, whom I was going to meet. This is our dance, l'Express Avignon-Paris, le Paris-Avignon. He lives here, I live there. I dug into my bag and grabbed for the lipstick that I had thrown in at the last minute, a little too pink. But I dabbed it on in my blurry reflection of the métro window with a steady hand but clucking inwardly at the shadows drooping beneath my eyes ("Will he see them?" I wondered. He did, it's clear, but gentleman that he is said nothing.) As I rubbed my lips together with a pop, I felt someone slide into the seat next to me. Me, puffy and overheated in too much clothing (Hello, beginning of menopause), my roll-on awkward between my knees, my tote lop-sided on top of it, I took up too much space. 

I smiled at this young gamine apologetically and shifted to make room as tourists do, trying to make myself smaller. It is then that I am sure, or just after, that her hand reached into my sagging coat pocket. And from there she stole my phone, leaving at the next stop. I had thought it odd that with a slight lift of her chin and nothing more her gaggle of friends had followed, silently. Some thirty seconds later, perhaps a minute at most, instinct kicked in and I reached for what was no longer there. 

It's funny that dance that we do when we lose something. We keep searching the same space as if the object will magically reappear or look to places that it could not possibly be, "just in case." But I knew. So I dragged myself and belongings off the train at the next stop, sweating profusely, to ask at the ticket booth what I should do. "You could go to the commissariat, but..." she smiled wanly and shrugged. "Ca arrive tellement, tellement souvent...tous les temps." And she is right, I had heard the announcement in several languages repeatedly over the speakers, "Attention, there might be pick-pockets onboard." 

The photos. With a wave of nausea, I realised that all of the photos of Christophe and I together, of Rome, of his recent surprise of an overnight stay in the Vaucluse...but mainly of us, laughing...were on the phone that I had foolishly not backed up onto the computer. Gone. I count on my photos to boost my memory problems and look at them when I am having trouble to soothe me. As I approached his apartment, the weight of that loss grew, as did the simple fact that the phone had been a gift of his part, given lightly despite the financial value, which had made the gesture all the more touching to me. 

Admittedly, I arrived on his doorstep with over-the-top drama. (Hello, beginning of menopause, part deux) "I have some bad news." I watched his smile of welcome melt and the corners of his mouth turn down. I ignored Noumea, his bijoux of a dog, who was jumping excitedly around me, tail wagging ferociously. "Your phone was stolen, I was pick-pocketed. I am so sorry." "No, your phone was stolen," he replied calmly. "Ok, well, sit down and we'll call who we need to call to get things sorted out."
It's interesting with Chris. When he is upset with me, which isn't too often, thankfully, he will rarely say anything right away and never with anger. So when, nearly an hour later, he quietly exhaled, "I thought that something terrible had happened...that someone had died," I knew that I had gone too far, had created an All About Me, out of guilt, or self-derision. I apologised to have scared him so. A loss about loss. 

And then began a loop de loop of paper trails and phone company pleading. Such moments are rarely simple in France, especially if you wish to keep the same phone number that you have had for years. I trotted to here and there, being told no or maybe, and was once caught in the rain, heavy ink drops on my coat, head huddled while passing couples pressed together under an awning, as if in a movie about Paris. But it was Paris. It is.

All of these efforts were tiring, so we decided to have an early apéro. The rain said goodbye; the sun came out. We found a table at Café Chéri where the bijoux dog could find space at our feet. Chris and I. Right there, the surrounding crowds forgotten. Nothing between us. Not the siren call of a texto or an Instagram count to check for likes. I couldn't have anyway, for that girl, that deceptive blond, had stolen my phone. I felt giddy all of the sudden. And truly, think about often does one feel giddy these days? Internally, I was exclamatory. "The light on the trees, was it ever that bright? My goodness, look how everyone is walking with faces down, affixed to their portables. How do they not run into each other? Would they notice if they did?" The birds were chirping something that sounded suspiciously like, "Free, free, free." I looked at Christophe. He was telling me a story. I held his gaze and let a certain weight - not necessarily linked to any other - burn off with the last drift of the day gone by. Good for good, and surprisingly, happily, done.

And as today is La Fête de la Musique tonight in France...a bit of something sweet and nostalgic that seems right to me for this post.

Happy Solstice...
Happy Summer (or Winter!)...
I am, as always, so very grateful that you are still here reading even as time goes by.

With Love from Provence,
And joy in my heart,

Saturday, March 30, 2019

The Eternal City

"I have a proposal for you..."


"What would you think about...for your vacation time...of...going with me to...Rome?"


It was out of my mouth as soon as I heard the word.

Rome. The Eternal City.

My response, was, what they would say in French, une évidence. Of course, I would go to Rome with Christophe. If I had travelled the world, - lucky me - and yet had never been, the reason was quite simple. I had been waiting to go with him.

He has come into my life like something like a fire-bomb, one that burns in the very best way. The first night that we spoke on the phone, it was until 2am. The second? 5:30. Rooster-crowing time. And so the connection began.

He lives in Paris. I live in Provence. And yet we somehow see each other nearly once a week. Or try our best to do so. I am broke from the train tickets and yet grateful. That was the word I used this morning, in speaking to the owner of my studio flat. She is one of my guardian angels. "Grateful to the Universe?" she asked. "Yes. Exactly," I replied.

And so to Rome.

He doesn't travel like I do, preferring to get up when I usually go to bed in order to take the first flight out. And so I felt a little blurred around the edges as I stepped out of the Termini Train station. Walking head held high because this is Rome after all, and realising with the turning of gazes that the weight that I have put back on (yes, its true, all of it) is actually a good thing in Italy if not in stick straight France. Mamma mia.

And somehow that bubble of non-reality never quite popped. Arrival on the morning of the 22nd, departure on the evening of the 26th. Four quick nights, and no, I won't tell you about those nights. Those are mine. Those are ours.

But the evenings? They were my favorite. It had been my hunch, somehow, but how could I have known? Maybe I have been to la bella Roma before after all, another lifetime ago. To walk and walk those cobblestone streets. To turn a corner and find the Pantheon looming above me, Jack and the Beanstalk-like as tears of surprise rose like the columns lit in a pale golden light. We leaned on each other when we got tired. We kissed and never got gelato.

He planned it all, having lived there last year and only very recently haven given up trying to start a business, too complicated, too frustrating. So he knew what he enjoyed and suspected where I would feel the same. It is amazing how right he was.

The Eternal City.

One could say that Love, with the big L, is the true Eternal City and Rome is an expression of that. Love in all its deep complexities, Rome in love with itself. Christophe and I were in the midst of all that, bouncing around in taxis through numerous piazzas, politely ignoring the well-intentioned texts declaring what we "must" do, knowing that each Rome is personal. In my photo dispatches my beautiful Mother and Sister exhaled, "you look blissfully happy," just as my friend Gérard responded, "you have a glass of wine in your hand in every single one." Both were right.

My joy, my love and my gratitude to Christophe. And to Rome.
For there is only one first time for everything, and this first felt both newer and older than the monuments, full of nothing but beauty and absolutely all that is good.

Grazie, grazie mille.